M

Stellium

50 minutes – 4 dancers – Triple bill Program – Theater stage
Jupiter + Jaguar | Boxerman | Oru & Kreya

TEAM

Idea, direction and video edition: Carlos González
Idea and assistant to direction: Seth Buckley
Dancers: Paula Montoya Lozano, Paula Martínez Parra, Carlos González and Seth Buckley
Chreography: Noa Zuk, Carlos González and Seth Buckley in collaboration with the dancers
Lighting design: Inés de la Iglesia
Costume design: Javi Muñoz (Jasanzo)
Image: Itxa Sai
Video and Photography: Sophia di Girolamo

SYNOPSIS

Stellium is a portal to vibrant universes where imagination flourishes and the senses awaken. This triple bill weaves a tapestry of visceral intensity and power, guiding the viewer from the earthly and sensual to the ethereal and unknown.

The most iconic creations of Carlos González and Seth Buckley engage in dialogue with the exquisite sensibility of Noa Zuk, shaping an evening that transcends the everyday and connects with the deepest fibers of human experience.

From the primal and visceral force of “Jupiter + Jaguar” to the fragmented and enveloping delicacy of “Oru & Kreya,” the journey is completed with “Boxerman,” a work that defies the limits of imagination and becomes the bridge uniting opposing worlds. An unforgettable experience, charged with passion and transcendence.

AWARDS

PRESS

“Stellium presents itself as an astral metaphor: three bodies in motion that, upon meeting, expand the force of a trajectory marked by exploration, experimentation, and the poetics of gesture.

Stellium reveals the journey and maturity of EYAS Dance Project on its seventh anniversary. Boxerman brings the experimental freshness of an external perspective; Oru & Kreya embodies the strangeness and physicality that characterize the company’s work; and Jupiter + Jaguar draws a map of intensities that, from the sensual and the ritualistic, condenses both the journey and the creative present of its founders. Three choreographic planets of a universe in continuous exploration.”

Luis Muñoz Díez (Tatarantula Magazine)
September 6, 2025
revistatarantula.com


“A vibrant, sensual, eclectic, virtuosic, and colorful stage presence.”

“An accumulation of energy that concentrates the most representative characteristics of EYAS’s discourse and choreographic language: a celebration of difference, intensity, commitment, and honesty. A dance born from the profound desire to inspire another world. A world where the planets, which etymologically mean wandering stars, can display all the beauty that emanates from their ability to move among the fixed stars.

The title alludes to an astrological term that describes the convergence of several celestial bodies at a single point. On stage, what aligns are not planets, but choreographic worlds orbiting around the same driving force.

The three pieces, distinct in form but akin in tone, evoke, in some way, sexual rites, both human and animal, through a physical language charged with sensuality, strength, and strangeness.” The music, often arrhythmic or dissonant, accentuates this uncomfortable, almost tribal atmosphere, forcing the viewer to inhabit an ambiguous space between the instinctive and the choreographed.

What emerges from this triptych is a curious and disconcerting journey: a performance that seeks not complacency, but sensory provocation. In its expression of the body, one can discern the wild and the ritualistic, the intimate and the collective, as if EYAS Dance Project wanted to remind us that dance is also an act of survival, a territory where desire and animality meet.

Editorial Staff, Inout Viajes
September 10, 2025
inoutviajes.com


“EYAS Dance Project has already developed a distinct personality, showcasing last night the traits and elements that define its identity. Its focus on expressive physicality is perfectly exemplified in the gestures and skill of Seth Buckley, a remarkable dancer.”

Omar Khan, SusyQ Magazine
September 7, 2025
susyq.es


“The proposal turns toward the universes explored by the company. But the most positive thing is that it is not simply an anthology. Nor a mere showcase of their trajectory. We cannot even consider it that, despite using the same original costumes from the works. It is a compendium of the power of imagination, strengthened by experience. Viscerality and animality are part of the terrain the company reveals, and from there they move toward an extreme sensory edge with great passion and a great deal of bodily play. EYAS Dance Project’s duets always leave you astonished by their plasticity. Moreover, they dialogue with creations by Noa Zuk, with whom Buckley and González studied, to offer a journey of the senses.

A very good work that allows us to continue trusting in a company that has stepped into the foreground of Valencian dance.”

José Vicente Peiró, Redescénica Magazine
February 24, 2026
redescenica.com