[et_pb_section fb_built=”1″ custom_padding_last_edited=”on|tablet” _builder_version=”4.22.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”44px||44px||true|” custom_padding_tablet=”50px||0px||false|false” custom_padding_phone=”50px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_row _builder_version=”4.22.0″ _module_preset=”default” width_tablet=”” width_phone=”90%” width_last_edited=”on|phone” custom_margin_tablet=”|||3%|false|false” custom_margin_phone=”|3%||3%|false|true” custom_margin_last_edited=”on|phone” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”Futura Bold||||||||” text_text_color=”#FFFFFF” text_font_size=”63px” header_font=”Futura Bold|500|||||||” header_text_color=”#000000″ header_font_size=”35px” background_color=”#fbff00″ width=”60%” width_tablet=”75%” width_phone=”100%” width_last_edited=”on|phone” custom_margin=”||5px||false|false” custom_padding=”|4%||4%|false|true” custom_padding_tablet=”|4%||4%|false|true” custom_padding_phone=”|4%||4%|false|true” custom_padding_last_edited=”on|tablet” animation_style=”slide” animation_direction=”left” animation_intensity_slide=”20%” header_font_size_tablet=”35px” header_font_size_phone=”30px” header_font_size_last_edited=”on|phone” border_width_all=”7px” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura light bt|100|||||||” header_2_text_color=”#fbff00″ custom_margin=”||0px|3px|false|false” animation_style=”slide” animation_direction=”right” animation_intensity_slide=”20%” header_2_font_size_tablet=”” header_2_font_size_phone=”20px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.0″ _module_preset=”default” background_color=”#000000″ custom_padding=”7px||105px||false|” global_colors_info=”{}”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2026\/03\/E-05513-1-scaled.jpeg” title_text=”E-05513 (1)” _builder_version=”4.27.4″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”54.6%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5NzcifX0=@” hover_enabled=”0″ border_color_all=”#fbff00″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n
\u201cThe proposal revolves around the universes explored by the company. But the most positive aspect is that it’s not simply an anthology. Nor is it merely a retrospective of their career. We can’t even consider it as such simply because they wear the same original costumes from the productions. It’s a compendium of the power of imagination, nurtured by experience. Visceral intensity and animality are part of the territory the company explores, and from there they move towards a maximum sensory experience with great passion and physical interplay. Eyas Dance Project’s duets always leave one speechless with their fluidity. Furthermore, they engage in dialogue with creations by Noa Zuk, whose students Buckley and Gonz\u00e1lez were, to offer a journey for the senses.<\/em><\/p>\n A truly excellent work that allows us to continue trusting in a company that has risen to the forefront of Valencian dance.<\/em>\u201d<\/em><\/p>\n Jos\u00e9 Vicente Peir\u00f3 <\/em><\/strong><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.redescenica.com\/stellium-triple-bill-de-eyas-dance-project\/” url_new_window=”on” button_text=”Read more” _builder_version=”4.27.4″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” hover_enabled=”0″ global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2024\/10\/20240904_EYAS_DANCE_PROJECT_canalbaila_pablolorente_0258.jpg” title_text=”20240904_EYAS_DANCE_PROJECT_canalbaila_pablolorente_0258″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”54.6%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5NzcifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n \u201cIn a space configured like a quadrilateral, although with only three sides, the stage is set for \u2018SENSUAL TEXION: Reloaded\u2019 by EYAS Dance Project, which recently inaugurated the Canal Baila cycle.\u201d<\/em><\/p>\n \u201cTheir approach is entirely original, as they manage to absorb the audience and drag them into a world of unexpected, barrier-free fantasy.\u201d<\/em><\/p>\n \u201cIn reality, art is an experience, and that\u2019s what EYAS Dance Project is: creators of experiences. In \u2018SENSUAL TEXION: Reloaded,\u2019 they let themselves flow and embrace contrast, completely removed from any restrictions. Their creative foundation lies in lighting; through it, the dancers\u2019 bodies shape the space. The soundscape is perfectly synchronized with the lighting. The dance creates a space that continuously evolves, surprising the audience and pulling them into a new playful realm.\u201d<\/em><\/p>\n \u201cThe underlying dramaturgy also contributes to this contrast, leading the audience toward the unexpected. When the masked character, positioned like a conductor, abruptly breaks the initial enchantment and, just when it seems like we\u2019re heading toward something resembling a third-kind encounter, suddenly descends from the podium to become a janitor complaining and mopping the floor, a phase of humor and audience engagement begins. Because ultimately, they manage to involve everyone in the festive ritual.\u201d<\/em><\/p>\n Mercedes Albi <\/em><\/strong><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.albidanza.com\/single-post\/sexual-tensi%C3%B3n-entre-el-aquelarre-y-el-rito-cr%C3%ADtica” url_new_window=”on” button_text=”Read more” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.27.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2024\/05\/SENSUAL_TEXION_16-scaled.jpg” title_text=”SENSUAL_TEXION_16″ _builder_version=”4.27.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”54.6%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5NzcifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n \u201cSENSUAL TEXION stood out for its boldness and bravery, the new production and step forward by the young company EYAS Dance Project, directed in Valencia by Carlos Gonz\u00e1lez & Seth Buckley. Somewhere between performance, boundary-breaking dance, sophisticated drag shows, and fashion, this laser and neon light proposal, led by an extravagant, ambiguous leather and latex character who plays both host and DJ (a spot-on Itxa Sai, pictured at the start of this article), unfolds as a party and tribute to sexual diversity.\u201d<\/em><\/p>\n \u201cFuturistic because it doesn\u2019t fit in any way within the still restrictive and suspicious parameters of today\u2019s society, the stage (shared with some audience members) recreates a utopian, prejudice-free party, where gender categories have been erased and transcended in a celebration of diversity, where everyone expresses themselves and behaves as their inner self dictates, whether as a mischievous faun (Seth Buckley, an excellent dancer) or a feminine man.\u201d<\/em><\/p>\n \u201c\u2026there is originality, risk, boldness, and a sense of spectacle in this festive proposal that speaks to serious issues and places EYAS Dance Project on the right track toward takeoff. That\u2019s why SENSUAL TEXION also serves as an invitation to follow them closely and pay attention to their next steps.\u201d<\/em><\/p>\n Omar Khan (SusyQ Magazine)<\/strong> <\/em><\/strong><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/susyq.es\/actualidad\/2145-xiii-edicion” url_new_window=”on” button_text=”Read more” _builder_version=”4.27.0″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/12\/SS_DIGITAL.webp” title_text=”SS_DIGITAL” _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.0″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5NzcifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n \u201cThe Valencian group EYAS Dance Project (Carlos Gonz\u00e1lez and Seth Buckley) premiered the powerful \u2018SENSUAL TEXION.\u2019 The piercing lighting by Manuel Conde brings to life the diversity of bodies and sexualities, immersing us in a ceremonial nocturnal party with contemporary dance, urban dances, and vogue questioning established mentalities. They achieve scenes of immense beauty, like the sphere with crossing beams of white light.\u201d<\/em><\/p>\n \u201cLet\u2019s not forget the excellent costume work by JASANZO (Javier Mu\u00f1oz) and Adri\u00e1n Casani: difficult and well-achieved, especially due to its descriptive nature and its perfect blend with the lighting.\u201d<\/em><\/p>\n Jos\u00e9 Vicente Peir\u00f3 (LAS PROVINCIAS)<\/strong> <\/em><\/strong><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/drive.google.com\/file\/d\/1jMXNRVkr8EvRvMS14fE0rTKXV_DcbdkH\/view” url_new_window=”on” button_text=”Read more” _builder_version=”4.23.1″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/08\/CARTEL_1.jpg” title_text=”CARTEL_1″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5NzQifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n “Un trabajo donde brillan notablemente los int\u00e9rpretes. Saben expresar para llegar a transmitir lo sensorial y construir una sintaxis con el movimiento. El canadiense Seth Buckley y Paula Montoya son una pareja que absorbe y que brilla en el panorama actual de la danza en nuestra tierra. Muy bien acompa\u00f1ados por \u00c1ngela Chavero y en la \u00faltima parte por Carlos Gonz\u00e1lez. El juego entre Chavero y Montoya en el centro del espect\u00e1culo es formidable.”<\/em><\/p>\n “Sin duda, un trabajo que refrenda a EYAS Dance Project, despu\u00e9s de haber visto su magn\u00edfico J\u00fapiter + Jaguar en el pasado Festival Dansa Val\u00e8ncia. Sinceramente, se agradece su frescura y su af\u00e1n de actualizaci\u00f3n.”<\/em><\/p>\n \u200b- Jos\u00e9 Vicente Peir\u00f3 (LAS PROVINCIAS)<\/strong><\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/08\/CARTEL_3-1.jpg” title_text=”CARTEL_3″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.0″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n EYAS Dance Project featured in @susyqdanza as one of the 7 emerging companies rising within the contemporary dance scene in Spain.<\/strong><\/p>\n We\u2019re deeply grateful for this mention and for the recognition of young talent in the latest edition of the magazine, which has been a reference for Spanish dance news and perspectives for many years.<\/p>\n With this post, we\u2019d like to take the opportunity to call in and warmly invite festivals, theatres, and distributors to get in touch for programming and future collaborations.<\/p>\n \u200b-\u00a0<\/strong><\/em>Omar Khan<\/strong><\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/drive.google.com\/file\/d\/1xDjeiXcWX-uQ5bnkeO8HhCAgqlFSaFms\/view” url_new_window=”on” button_text=”Read more” _builder_version=”4.23.1″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/08\/CARTEL_2.jpg” title_text=”CARTEL_2″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5MzcifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.27.0″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n “… Jupiter + Jaguar, a piece worthy of being studied in an aesthetics class. In these times where the deconstructed and the reactionary are in constant dialectical confrontation, examples like this piece can help us reorganize our knowledge and impressions about a reality that conditions and defines us as political beings.<\/em><\/p>\n Certainly, Jupiter + Jaguar seemed to me a spectacular, impeccable, and fresh work in its ways of presenting its content.”<\/em><\/p>\n – Luis Alberto Sosa Berlanga (ACHTUNG! MAG)<\/strong> [\/et_pb_text][et_pb_button button_url=”https:\/\/achtungmag.com\/el-museo-de-zaragoza-acogio-una-memorable-jornada-de-danza-gracias-a-su-colaboracion-con-el-festival-trayectos\/” url_new_window=”on” button_text=”Read more” _builder_version=”4.23.1″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover_enabled=”on|hover” button_bg_color__hover=”#78b2be” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/08\/CARTEL_4.jpg” title_text=”CARTEL_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5MzIifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n \u201c\u2026[On\u00edrico] is quite possibly one of the finest solo dance performances one can witness. For its beauty, for its execution, for the precision of its choreography in tracing a clear path from the outset, and for the construction of the dreamlike world suggested by its title, crafted with true poetry of the body in dialogue with sound and light. A true conquest of the space of silence.\u201d<\/p>\n – <\/strong><\/em>Jos\u00e9 Vicente Peir\u00f3 (LAS PROVINCIAS)<\/strong> [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n * On\u00edrico was awarded SECOND PRIZE for `Interpretation\u00b4 at the 23rd Internationales Solo Tanz Theater Festival Stuttgart.<\/p>\n * Seth Buckley was nominated in the category of ‘best male dancer’ in On\u00edrico from the Institut Cultura Valenci\u00e0 Awards in 2022.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.22.0″ _module_preset=”default” width=”58%” width_tablet=”58%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”|auto|14px|auto||” custom_padding=”45px||45px||true|” border_width_bottom=”1px” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/eyasdanceproject.com\/wp-content\/uploads\/2023\/08\/CARTEL_5.jpg” title_text=”CARTEL_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ _dynamic_attributes=”link_option_url” _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#fbff00″ text_font_size=”22px” header_2_font=”futura medium|700|||||||” header_2_text_color=”#fbff00″ header_3_font=”futura medium||||||||” header_3_text_color=”#000000″ header_3_font_size=”21px” background_color=”#fbff00″ width=”50%” width_tablet=”70%” width_phone=”80%” width_last_edited=”on|phone” custom_margin=”||13px||false|false” custom_padding=”5px|4%|0px|4%|false|true” link_option_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wcm9qZWN0Iiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjE5MjkifX0=@” border_color_all=”#fbff00″ global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_font=”futura medium|800|||||||” text_text_color=”#FFFFFF” text_font_size=”22px” text_line_height=”1.4em” header_4_font=”|800|||||||” header_4_text_color=”#FFFFFF” header_4_font_size=”16px” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n \u2026the audience had the chance to enjoy a magical performance thanks to Specular Peculiar<\/em> by EYAS Dance Project, which served as the grand finale to two months of dance and music.<\/p>\n – <\/strong><\/em>ABC Cultura (Closing the 36th edition of Madrid en Danza)<\/strong> [\/et_pb_text][et_pb_button button_url=”https:\/\/www.abc.es\/cultura\/abci-specular-peculiar-clausura-36-edicion-madrid-danza-202105301448_video.html?ref=https%3A%2F%2Fwww.eyasdanceproject.com%2F” button_text=”Read more” _builder_version=”4.23.1″ _module_preset=”default” custom_button=”on” button_text_size=”16px” button_text_color=”#FFFFFF” button_bg_color=”#2a8a9d” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_icon=”$||divi||400″ custom_padding=”|5%||5%|false|true” global_colors_info=”{}” button_bg_color__hover=”#78b2be” button_bg_color__hover_enabled=”on|hover”][\/et_pb_button][et_pb_text _builder_version=”4.23.1″ _module_preset=”default” text_text_color=”#FFFFFF” global_colors_info=”{}”]<\/p>\n * The Specular Peculiar dance film was awarded BEST PERFORMANCE in the category of ‘Dance Movie’ at the “Premio Roma Danza” 2021.<\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.0″ _module_preset=”default” custom_margin=”47px|auto||auto||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_button button_url=”\/en\/works\/” button_text=”shows” button_alignment=”center” _builder_version=”4.23.4″ _module_preset=”default” custom_button=”on” button_text_size=”13px” button_text_color=”#000000″ button_bg_color=”#FFFFFF” button_border_width=”4px” button_border_color=”RGBA(255,255,255,0)” button_border_radius=”0px” button_letter_spacing=”2px” button_font=”futura medium|||on|||||” button_use_icon=”off” custom_padding=”|3%||3%|false|true” animation_style=”fold” animation_intensity_fold=”100%” global_colors_info=”{}” button_bg_color__hover=”#fbff00″ button_bg_color__hover_enabled=”on|hover” button_bg_enable_color__hover=”on”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" What the press says about EYAS Dance ProjectPress releases and publicationsStelliumRevista Red Esc\u00e9nica \/ Sala Carme Teatre\u201cThe proposal revolves around the universes explored by the company. But the most positive aspect is that it’s not simply an anthology. Nor is it merely a retrospective of their career. We can’t even consider it as such simply […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1082","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/pages\/1082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/comments?post=1082"}],"version-history":[{"count":20,"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/pages\/1082\/revisions"}],"predecessor-version":[{"id":4876,"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/pages\/1082\/revisions\/4876"}],"wp:attachment":[{"href":"https:\/\/eyasdanceproject.com\/en\/wp-json\/wp\/v2\/media?parent=1082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
February 24, 2026 – Sala Carme Teatre, Valencia<\/em>
<\/strong><\/p>\nSENSUAL TEXION: Reloaded<\/h3>\n
Revista Albidanza \/ Canal Baila Cycle<\/h4>\n
September 5, 2024 – Teatros del Canal, Madrid<\/em>
<\/strong><\/p>\nSENSUAL TEXION<\/h3>\n
SusyQ Magazine \/ Festival Abril en Danza<\/h4>\n
April 27, 2024 \u2013 Teatro Arniches, Alicante<\/em><\/strong><\/p>\nSENSUAL TEXION<\/h3>\n
Festival 10 Sentidos \/ Teatro La Rambleta<\/h4>\n
May 19, 2023 – Teatro la Rambleta, Valencia<\/strong><\/em><\/p>\nMYTIKA<\/h3>\n
Carme Teatre<\/h4>\n
EYAS Dance Project<\/h3>\n
SusyQ Revista de Danza\u00a0 \/\u00a084th edition, page 16<\/h4>\n
J\u00fapiter + Jaguar<\/h3>\n
Trayectos Festival \/ Zaragoza Museum<\/h4>\n
June 25, 2022<\/strong><\/em><\/p>\nOn\u00edrico<\/h3>\n
Cicle Esc\u00e8niques LGTBIQ+ \/ Carme Teatre<\/h4>\n
27 of September 2021<\/strong><\/em><\/p>\nSpecular Peculiar<\/h3>\n
Festival Madrid en Danza \/ Patio Teatro la Abad\u00eda<\/h4>\n
5 of May 2021<\/strong><\/em><\/p>\n